![]() ![]() ![]() By decreasing the value, you’ll be able to quickly restore the natural look of your video.įor finer control over your image, you can choose to forgo modifying the master color wheel and instead adjust the shadows, midtones, and highlights individually. Next, head over to the color tab and bring down the exposure of the clip using the master wheels. To begin, go to the Inspector and change the Rawto Log Conversion and Camera LUT options to None. However, due to the considerable amount of raw data captured within the codec, it’s very easy to process the material, retain the details, and make it look outstanding again. When importing your clips, you’ll notice that your images look overexposed and even unusable right off the bat. This step is absolutely crucial as it enables the software to take advantage of the flexible nature of ProRes RAW in terms of how much the image can be manipulated.Īfter creating your library, import your media, create a new project and add the footage to your timeline. Then change the color space to Wide Gamut HDR. Once you do so, head over to the Inspector and click the Modify button. First and foremost, you’ll need to open up Final Cut Pro X and create a new library. That being said, if you’re someone who has the gear to shoot in ProRes RAW already, in addition to having access to Final Cut Pro X, the process behind grading ProRes RAW footage seems rather straightforward. Not only that, Apple’s own Final Cut Pro X is currently the only video editor capable of processing the format, with support in programs like Adobe Premiere Pro and DaVinci Resolve still to come down the line. Long story short, those who are interested in taking advantage of this powerful new codec may want to take a closer look at the in-depth tutorial below produced by Caleb Pike of DSLR Video Shooter that will walk you through the process of editing and color grading ProRes RAW in FCPX.īefore editing the footage itself, it’s important to note that as for the time being there is still only a limited number of cameras and external recorders that are utilizing ProRes RAW. Due to the fact that the codec is still in its early stages, the details regarding how to process the actual footage has only now begun to surface. As you already know, ProRes RAW is Apple’s latest addition to the ProRes family of video codecs, promising to deliver RAW-like flexibility with the speedy performance creative professionals have come to know and love for years with the rest ProRes flavors. ![]()
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